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The Rock Art Network Jo McDonald
The Rock Art Network Jo McDonald
The Rock Art Network Jo McDonald
Jo McDonald
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Director of the Centre for Rock Art Research + Management at the University of Western Australia

Jo McDonald
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Professor Jo McDonald is the Director of the Centre for Rock Art Research + Management at the University of Western Australia. She has been recording rock art in Australia for almost 40 years. She has recently completed an ARC Future Fellowship, undertaking a comparative study of rock art in Australia’s Western Desert and the Great Basin of the USA. She holds the Rio Tinto Chair in Rock Art Studies, funded by RTIO’s Commonwealth Conservation Agreement for the Dampier Archipelago. She has developed a considerable body of rock art management practise – formulating management plans at the regional level (e.g. Sydney Basin, Western Desert, Port Hedland, Dampier Archipelago) as well as site specific (e.g. Whale Cave, Blackfellow’s Hands). She has been an expert witness in Native Title cases, where rock art has been deployed as part of the legal argument (De Rose Hill, Martu and Birriliburru). She undertook the stylistic analysis and co-wrote the National Heritage Listing and Outstanding Universal Values documents for the Dampier Archipelago (NHL listed in 2007). She has been contextualising rock art through excavation and direct-dating since she undertook her PhD research in Sydney. Her recent excavation at Serpents Glen (Karnatukul) pushed back occupation of Australia’s desert to 50,000 years ago, as well as demonstrating contemporaneous rock art production and occupation evidence in the last millennium.

She was a Partner Investigator on the ARC Canning Stock Route: Rock Art and Jukurrpa Linkage Project (2007-2010), which recorded over 800 rock art sites through the Western Desert. She was Lead Chief Investigator (CI) on the ARC Murujuga: Dynamics of the Dreaming Linkage Project (2014-2018) with RTIO as the Linkage Partner and Murujuga Aboriginal Corporation as the collaborating partner. She is currently a CI on the Deep History of Sea Country ARC project, which is exploring the potential of submerged heritage around the Dampier Archipelago. Since starting at UWA in 2012, she has developed and led a culture of collaborative partnerships with the Aboriginal communities and Industry, particularly in the Pilbara, Western Desert and Kimberley regions.

Working with visualisation specialists and spatial scientists she explored the use of 3D visualisation, photogrammetry and laser scanning of Aboriginal art sites for research and management. She has been central to the current push for World Heritage Listing of the Dampier Archipelago, being a co-convenor of a World Heritage Summit in Karratha in August 2018. She is currently on two State-based interagency committees overseeing the nomination of this region to the Tentative List, and monitoring industrial emissions. She is the Chair of Australia ICOMOS’ National Scientific Committee on Rock Art.

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Latest Article
→ ABC Radio National 'Nightlife' with Philip Clark - 'Exploring the wonders of cave art in Australia'
by Professor Paul S.C. Taçon & Dr Josephine McDonald
30 April 2021

Recent Articles
→ A Painted Treasure - San hunter-gatherer visual engagement with Didima Gorge (South Africa)
by Aron Mazel
10 March 2021
→ L'Atlas de la grotte Chauvet-Pont d'Arc
by
Jean-jacques Delannoy &
Jean-Michel Geneste
1 February 2021
→ Oldest cave painting found in Indonesia
by Rock Art Network
14 January 2021
→ Graffiti Dates and Names as a Rock Art Conservation and Management Tool
by Johannes H. N. Loubser
29 October 2020
→ Animals in Rock Art
by Aron Mazel
7 October 2020
→ Reflecting Back: 40 Years Since ‘A Survey of the Rock Art in the Natal Drakensberg’ Project (1978-1981)
by Aron Mazel
29 September 2020
→ Art on the Rocks in the Age of COVID-19
by Neville Agnew & Tom McClintock
15 September 2020
→ Explore Cederberg rock art from your home
by Janette Deacon
9 September 2020
→ The Continuum of Art: The relationship between Ice Age art and contemporary art and how an understanding of the former can help engage a modern audience
by Peter Robinson
16 August 2020
→ Illuminating the Realm of the Dead: The Rock Art within the Dolmen de Soto, Andalucía, Southern Spain
by George Nash
29 July 2020
→ Rock Art Adventurous Field Work during COVID-19 in the Southernmost of South America
by María Isabel Hernández Llosas
9 June 2020
→ The Final Passage - FAQ
by Jean-Michel Geneste
1 June 2020
→ Experts rush to map fire-hit rock art
by Andrew Bock
15 May 2020
→ Sacred Indigenous rock art sites under threat
by Amy van den Berg
12 May 2020
→ Virtual Meeting
by Ben Dickins
22 April 2020
→ The Bradshaw Foundation Launches the Rock Art Network Website
by Wendy All
23 March 2020
→ The aftermath of fire damage to important rock art at the Baloon Cave tourist destination, Carnarvon Gorge, Queensland, Australia
by Paul Taçon
24 November 2019
→ The removal and camouflage of graffiti: The art of creating chaos out of order and order out of chaos
by Johannes H. N. Loubser
11 November 2019
→ The Histories of Australian Rock Art Research symposium, 8-9 December 2019, Griffith University, Gold Coast, Queensland, Australia
by Paul Tacon
5 November 2019
→ San rock art exhibition at the National Museum & Research Center of Altamira
by Aron Mazel
17 September 2019
→ The 2018 Art on the Rocks Colloquium
by Wendy All
2 December 2018
→ Preserving Our Ancient Art Galleries: Volunteerism, Collaboration, and the Rock Art Archive
by Wendy All
1 December 2017
→ Altamira and the New Technology for Public Access
by Pilar Fatás Monforte
30 April 2017
→ From the Chauvet Cave to the Caverne du Pont d’Arc: Methods and Strategies for a Replica to Preserve the Heritage of a Decorated Cave That Cannot Be Made Accessible to the Public
by Jean-Michel Geneste
29 April 2017
→ Emerging Consciousness and New Media: The Management of Rock Art in Southeast Asia and New Opportunities for Communicating Its Significance
by Noel Hidalgo Tan
28 April 2017
→ Step by Step: The Power of Participatory Planning with Local Communities for Rock Art Management and Tourism
by Nicholas Hall
27 April 2017
→ Fundraising for Rock Art by Promoting Its Values
by Terry Little
26 April 2017

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Rock Art Network
LATEST ARTICLE
Rock Art Network
RECENT ARTICLES
Rock Art Network
→ A Painted Treasure - San hunter-gatherer visual engagement with Didima Gorge (South Africa)
by Aron Mazel
10 March 2021
→ L'Atlas de la grotte Chauvet-Pont d'Arc
by
Jean-jacques Delannoy &
Jean-Michel Geneste
1 February 2021
→ Oldest cave painting found in Indonesia
by Rock Art Network
14 January 2021
→ Graffiti Dates and Names as a Rock Art Conservation and Management Tool
by Johannes H. N. Loubser
29 October 2020
→ Animals in Rock Art
by Aron Mazel
7 October 2020
→ Reflecting Back: 40 Years Since ‘A Survey of the Rock Art in the Natal Drakensberg’ Project (1978-1981)
by Aron Mazel
29 September 2020
→ Art on the Rocks in the Age of COVID-19
by Neville Agnew & Tom McClintock
15 September 2020
→ Explore Cederberg rock art from your home
by Janette Deacon
9 September 2020
→ The Continuum of Art: The relationship between Ice Age art and contemporary art and how an understanding of the former can help engage a modern audience
by Peter Robinson
16 August 2020
→ Illuminating the Realm of the Dead: The Rock Art within the Dolmen de Soto, Andalucía, Southern Spain
by George Nash
29 July 2020
→ Rock Art Adventurous Field Work during COVID-19 in the Southernmost of South America
by María Isabel Hernández Llosas
9 June 2020
→ The Final Passage - FAQ
by Jean-Michel Geneste
1 June 2020
→ Experts rush to map fire-hit rock art
by Andrew Bock
15 May 2020
→ Sacred Indigenous rock art sites under threat
by Amy van den Berg
12 May 2020
→ Virtual Meeting
by Ben Dickins
22 April 2020
→ The Bradshaw Foundation Launches the Rock Art Network Website
by Wendy All
23 March 2020
→ The aftermath of fire damage to important rock art at the Baloon Cave tourist destination, Carnarvon Gorge, Queensland, Australia
by Paul Taçon
24 November 2019
→ The removal and camouflage of graffiti: The art of creating chaos out of order and order out of chaos
by Johannes H. N. Loubser
11 November 2019
→ The Histories of Australian Rock Art Research symposium, 8-9 December 2019, Griffith University, Gold Coast, Queensland, Australia
by Paul Tacon
5 November 2019
→ San rock art exhibition at the National Museum & Research Center of Altamira
by Aron Mazel
17 September 2019
→ The 2018 Art on the Rocks Colloquium
by Wendy All
2 December 2018
→ Preserving Our Ancient Art Galleries: Volunteerism, Collaboration, and the Rock Art Archive
by Wendy All
1 December 2017
→ Altamira and the New Technology for Public Access
by Pilar Fatás Monforte
30 April 2017
→ From the Chauvet Cave to the Caverne du Pont d’Arc: Methods and Strategies for a Replica to Preserve the Heritage of a Decorated Cave That Cannot Be Made Accessible to the Public
by Jean-Michel Geneste
29 April 2017
→ Emerging Consciousness and New Media: The Management of Rock Art in Southeast Asia and New Opportunities for Communicating Its Significance
by Noel Hidalgo Tan
28 April 2017
→ Step by Step: The Power of Participatory Planning with Local Communities for Rock Art Management and Tourism
by Nicholas Hall
27 April 2017
→ Fundraising for Rock Art by Promoting Its Values
by Terry Little
26 April 2017
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The Rock Art Network
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Rock Art Network
LATEST ARTICLE
Rock Art Network
RECENT ARTICLES
Rock Art Network
→ A Painted Treasure - San hunter-gatherer visual engagement with Didima Gorge (South Africa)
by Aron Mazel
10 March 2021
→ L'Atlas de la grotte Chauvet-Pont d'Arc
by
Jean-jacques Delannoy &
Jean-Michel Geneste
1 February 2021
→ Oldest cave painting found in Indonesia
by Rock Art Network
14 January 2021
→ Graffiti Dates and Names as a Rock Art Conservation and Management Tool
by Johannes H. N. Loubser
29 October 2020
→ Animals in Rock Art
by Aron Mazel
7 October 2020
→ Reflecting Back: 40 Years Since ‘A Survey of the Rock Art in the Natal Drakensberg’ Project (1978-1981)
by Aron Mazel
29 September 2020
→ Art on the Rocks in the Age of COVID-19
by Neville Agnew & Tom McClintock
15 September 2020
→ Explore Cederberg rock art from your home
by Janette Deacon
9 September 2020
→ The Continuum of Art: The relationship between Ice Age art and contemporary art and how an understanding of the former can help engage a modern audience
by Peter Robinson
16 August 2020
→ Illuminating the Realm of the Dead: The Rock Art within the Dolmen de Soto, Andalucía, Southern Spain
by George Nash
29 July 2020
→ Rock Art Adventurous Field Work during COVID-19 in the Southernmost of South America
by María Isabel Hernández Llosas
9 June 2020
→ The Final Passage - FAQ
by Jean-Michel Geneste
1 June 2020
→ Experts rush to map fire-hit rock art
by Andrew Bock
15 May 2020
→ Sacred Indigenous rock art sites under threat
by Amy van den Berg
12 May 2020
→ Virtual Meeting
by Ben Dickins
22 April 2020
→ The Bradshaw Foundation Launches the Rock Art Network Website
by Wendy All
23 March 2020
→ The aftermath of fire damage to important rock art at the Baloon Cave tourist destination, Carnarvon Gorge, Queensland, Australia
by Paul Taçon
24 November 2019
→ The removal and camouflage of graffiti: The art of creating chaos out of order and order out of chaos
by Johannes H. N. Loubser
11 November 2019
→ The Histories of Australian Rock Art Research symposium, 8-9 December 2019, Griffith University, Gold Coast, Queensland, Australia
by Paul Tacon
5 November 2019
→ San rock art exhibition at the National Museum & Research Center of Altamira
by Aron Mazel
17 September 2019
→ The 2018 Art on the Rocks Colloquium
by Wendy All
2 December 2018
→ Preserving Our Ancient Art Galleries: Volunteerism, Collaboration, and the Rock Art Archive
by Wendy All
1 December 2017
→ Altamira and the New Technology for Public Access
by Pilar Fatás Monforte
30 April 2017
→ From the Chauvet Cave to the Caverne du Pont d’Arc: Methods and Strategies for a Replica to Preserve the Heritage of a Decorated Cave That Cannot Be Made Accessible to the Public
by Jean-Michel Geneste
29 April 2017
→ Emerging Consciousness and New Media: The Management of Rock Art in Southeast Asia and New Opportunities for Communicating Its Significance
by Noel Hidalgo Tan
28 April 2017
→ Step by Step: The Power of Participatory Planning with Local Communities for Rock Art Management and Tourism
by Nicholas Hall
27 April 2017
→ Fundraising for Rock Art by Promoting Its Values
by Terry Little
26 April 2017
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Support our work & become a
Friend of the Foundation
 
 
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