The Rock Art Network
The Rock Art Network
The Rock Art Network
Rock Art Network
Kakadu
Southern Africa - Australia, Rock Art Conservation Exchange

Rock Art Network Southern Africa Australia Rock Art Conservation Exchange
Between 2005 and 2011 the Getty Conservation Institute organized annual rock art workshops under the SARAP (Southern African Rock Art Project) banner in South Africa at Mapungubwe and Clanwilliam, in collaboration with various southern African organizations responsible for rock art management and with participants from Tanzania, Malawi, Mozambique, Zambia, Zimbabwe, Botswana, Namibia, Kenya, South Africa and Lesotho.

In 2009, an additional component was added that involved field workshops in Australia in 2012, southern Africa in 2013 and again in Australia in 2014. The idea of this program was to bring together small groups of rock art specialists from countries in southern Africa and Australia, including traditional owners and managers of rock art sites, to discuss problems and challenges to rock art conservation on both continents. The workshops aimed to create a forum to learn from each other and examine work addressing challenges and common problems.

Rock Art Network Getty Conservation Institute Kakadu National Park Northern Territory Australia
The record of climate change and human adaption: Kakadu National Park, a World Heritage site in Australia, contains one of the world’s greatest concentrations of rock art.
© Nicholas Hall
The 2014 Forum, held in Kakadu National Park in the Northern Territory of Australia was intended as the culmination of the learning from the workshops and exchange program and the Getty involvement in rock art conservation practice in both Australia and southern Africa, with input from Argentina as well.

The aim of the Forum was to review the summary experiences of the work to date and focus on forward-looking strategies to address the key issues identified. It brought together an exceptional group of traditional owners, experts and managers directed at achieving these aims. The program included presentations, field inspections, meetings with traditional owners, discussions, and workshopping of key strategies. Participants were tasked with providing key input to the development of a strategic directions paper and to outline practical projects for training and collaboration initiatives.

Kakadu National Park, a World Heritage site in Australia, contains one of the world’s greatest concentrations of rock art. While around ve thousand sites have been recorded, it is believed that there could be 10,000 to 15,000 art sites in total. The paintings throughout the park tell a story of the changing climate, changing species and changing lifestyles of Aboriginal people possibly over a time span from 20,000 year ago to the present. This constitutes one of the longest historical records of any group of people in the world and is truly a treasure of humanity.

Rock Art Network Kakadu Rock Art Workshop Australia 2014
Kakadu rock art workshop 2014.
© Paul Taçon
 
Rock Art Network Kakadu Rock Art Workshop Australia 2014
Kakadu rock art workshop 2014.
© Paul Taçon
 
Rock Art Network Kakadu Rock Art Workshop Australia 2014
Kakadu rock art workshop 2014.
© Paul Taçon
 
Rock Art Network Kakadu Rock Art Workshop Australia 2014
Kakadu rock art workshop 2014.
© Paul Taçon
 
Rock Art Network Getty Conservation Institute GCI workshops South Southern Africa
Participants in GCI workshops in Southern Africa.
© Getty Conservation Institute
 
Rock Art Network Getty Conservation Institute GCI workshops South Southern Africa
Participants in GCI workshops in Southern Africa.
© Getty Conservation Institute

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LATEST ARTICLE
Bradshaw Foundation Donate Friends
→ Prehistomania
by Richard Kuba
13/06/2024
RECENT ARTICLES
Bradshaw Foundation Donate Friends
→ Women Hunters in Indian Rock Art
by Meenakshi Dubey-Pathak
8/03/2024
→ Vingen Rock Art in Norway at Risk
by Rock Art Network
6/02/2024
→ Professor emeritus Knut Arne Helskog is awarded the King's Medal of Merit
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Bradshaw Foundation Donate Friends
LATEST ARTICLE
Bradshaw Foundation Donate Friends
→ Prehistomania
by Richard Kuba
13/06/2024
RECENT ARTICLES
Bradshaw Foundation Donate Friends
→ Women Hunters in Indian Rock Art
by Meenakshi Dubey-Pathak
8/03/2024
→ Vingen Rock Art in Norway at Risk
by Rock Art Network
6/02/2024
→ Professor emeritus Knut Arne Helskog is awarded the King's Medal of Merit
by Rock Art Network
14/12/2023
→ Escaped slaves, rock art and resistance in the Cape Colony, South Africa
by Sam Challis
5/12/2023
→ Markwe Cave, Zimbabwe
by Aron Mazel
30/11/2023
→ Art and Influence, Presence and Navigation in Southern African Forager Landscapes
by Sam Challis
21/11/2023
→ History debunked: Endeavours in rewriting the San past from the Indigenous rock art archive
by Sam Challis
15/11/2023
→ Post-Traumatic Stress Disorder (PTSD) and forager theories of disease in nineteenth century southern Africa, and its implications for understanding images of conflict in San rock art
by Sam Challis
10/11/2023
→ Ancient Aboriginal rock carvings vandalised
by Rock Art Network
6/11/2023
→  Two NSW men found guilty of using oily handprints to damage sacred Uluru cave art
by Rock Art Network
3/11/2023
→  Reflecting on the abundance of sheep and baboon paintings in Junction Shelter, Didima Gorge, South Africa
by Aron Mazel
2/11/2023
→  Rock Art Sites Protection and Guides Training In Satpura Tiger Reserve
by Meenakshi Dubey-Pathak
26/09/2023
→  Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak
by Paul Taçon
24/08/2023
→  Beginning of a Rock Art Journey - Recording Paintings in the uKhahlamba-Drakensberg 1979 - 1980
by Aron Mazel
13/06/2023
→  Murujuga's rock art is at risk – where is the outrage?
by Paul Taçon
5/06/2023
→  Identifying the artists of some of Australia's earliest art
by Paul Taçon
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→ Between Monument and Water: Burial rites, location of megalithic monuments and rock art of the Kilmartin Valley, Argyll, Western Scotland (Stage 1 of the Motifs and Monuments Project)
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by Meenakshi Dubey-Pathak, Pilar Fatás Monforte
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by Aron Mazel, George Nash
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→ Histories of Australian Rock Art Research
by Paul S.C. Taçon, Sally K. May, Ursula K. Frederick, Jo McDonald
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→ Rock Art and Tribal Art: Madhya Pradesh
by Meenakshi Dubey-Pathak
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→ Marra Wonga: Archaeological and contemporary First Nations interpretations of one of central Queensland’s largest rock art sites
by Paul Taçon
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→ David Coulson MBE
by David Coulson
16 June 2022
→  Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages
by Paul Taçon
25 April 2022
→  An online course by SEAMEO Regional Centre for Archaeology and Fine Arts (SPAFA)
by Noel Hidalgo Tan
20 April 2022
→  Cupules and Vulvas in the Alwar area, Rajasthan
by Meenakshi Dubey-Pathak
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→  Color Engenders Life - Hunter-Gatherer Rock Art in the Lower Pecos Canyonlands
by Carolyn Boyd & Pilar Fatás
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→  Vandalised petroglyphs in Texas
by Johannes H. N. Loubser
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by Meenakshi Dubey-Pathak
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by Aron Mazel
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→  Early masterpieces: San hunter-gatherer shaded paintings of the uKhahlamba-Drakensberg and surrounding areas
by Aron Mazel
8 September 2021
→  Aїr Mountains Safari - Sahara
by David Coulson
17 August 2021
→  The Neolithic rock art passage tombs of Anglesey as brand-new virtual tours
by Ffion Reynolds
21 June 2021
→  A Map from the Memory of the World
by Janette Deacon
8 June 2021
→ More Rock Art Network Articles
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