Bradshaw Foundation

About the Bradshaw Foundation

 
 
The Bradshaw Foundation provides an online learning resource. Its main areas of focus are archaeology, anthropology and genetic research, and its primary objective is to discover, document and preserve ancient rock art around the world, and promote the study of early mankind’s artistic achievements. The Foundation funds preservation projects around the world, scientific research and research publication. The Foundation carries out its work in collaboration with UNESCO, the Royal Geographic Society, the National Geographic Society, the Rock Art Research Institute in South Africa and the Trust for African Rock Art to ensure that the programs achieve maximum impact. It is a privately funded, non-profit organisation based in Geneva.
 
 

Robert A. Hefner III - President

 
In my experience Creativity is the key to Mankind’s success. I believe that one of our endeavours should be to try and capture the creativity of our ancestors for the enlightenment of our children. I would like to think that the Bradshaw Foundation is achieving this in part, and thus helping to preserve and protect the rich Heritage of Mankind that surrounds us.

Damon de Laszlo - Chairman

 
Since its formation in 1992 the Bradshaw Foundation has attempted to promote the study of early man’s artistic achievement, and help to preserve and protect this rich heritage found throughout the world.
 
But by focussing on ancient rock art, the obvious questions of who, when and why became unavoidable. This led the Bradshaw Foundation into the study of genetic research, headed by Professor Stephen Oppenheimer of Oxford University. The Foundation’s ‘Journey of Mankind’ Genetic Map has enabled us to look at the evolution of our ancestors in an holistic manner, so we no longer study one particular type of rock art, but attempt to speculate how that rock art came to be there, at a certain time, based on particular migratory events. Understanding a moment in time can only be truly achieved by gaining a grasp of what led to it, and what it led on to.
 
The Foundation has been actively involved in the preservation  of rock art sites around the world, including the National Heritage Park of Campeche in Brazil, the Dabous giraffe carvings of the Tenere Desert in Niger, and the Calacala Gallery in Bolivia, and Niaux Cave in the French Pyrenees.
 
Our publications include 'Bradshaws: Ancient Rock Paintings of North-Western Australia' by Dr. Graham Walsh 1994, 'Rock Painting Sites in the Kimberley Region' by Katharina and Andreas Lommel 2001, and 'Ich reiste wie ein Buschmann' by Wilfried Schroder 2002.
 
With the Foundation's ever-expanding field of research, our latest project is the 'iLecture' documentary film series - a new venture that we hope enhances the way our material is viewed. It is a direct response to the changes both in technology and in education. Learning is changing; the digital brain, some argue, is physically different, it has rewired itself. And the solution to the expanding data-base placed before it, in our opinion, is to present information with 'ruthless clarity'. The iLectures documentary film format is a high-density, fact-driven, visual-audio experience.
 
For a profile of Bradshaw Foundation Chairman Damon de Laszlo click here

Trustees of the Foundation

 
Trustee
Dr Jean Clottes
Trustee
Michael Ball
Trustee
Michael McGuire
Editor
Peter Robinson
Administrator
Anna Coyle

Advisory Board

 
Professor
Stephen Oppenheimer
Institute of Human Sciences, Oxford University
Dr Jill Cook
Curator of Prehistory, British Museum
Professor
John P Miller
Center for Computational Biology, Montana State University, USA
Dr Ben Smith
Rock Art Research Institute (RARI),
South Africa
David Coulson
Trust for African
Rock Art
 
Keler Lucas
Santa Catarina, Brazil
Dr Georgia Lee
Easter Island, Pacific
Valerie Feruglio
Art History
Hugh Brown
Australia
Professor Nabil Swelim
Egyptologist, Egypt
 
     
Dr. Meenakshi Dubey-Pathak
India
Li Hui
Project Controller China
     

Technical Board

 
Howard Mighell
Chief Financial Officer
Ben Dickins
Director of Art & Design
Simon Carter
Program Director
David Alderman
Development Director
Chris Wood
UK Administrator
Homepage About the Foundation Contact Us Facebook News Articles Twitter List of Research Papers Professor Stephen Oppenheimer Travel Index About the Expeditions Forthcoming Expeditions Bespoke Expeditions Enquire Practical Information History of Exploration Welcome to the iShop Film Downloads DVD's Sculpture Prints Clothing Messenger Bag eBooks INORA Downloads About iLecture Films Shipping & Handling iLectures In Conversation Video Stories Travel Films Read the reviews Join the free Mailing List Bradshaw Foundation Facebook Friends of the Foundation Archive Index World's Oldest Rock Art Africa Documentary Films South Africa RARI Giraffe Carvings Niger Namibia Western Central Africa Africa Paintings Gallery Tanzania The Tuareg People Tuareg Salt Caravans Gilf Kebir Archive Index San Rock Art Paintings San Bushman San Rock Art Film Origins Centre Johannesburg Archive Index Arizona Baja California Coso Range Nevada Oregon Territory Australia Archive Index Introduction Bradshaw Paintings Kimberley Region The Unambal Hugh Brown Leif Thiele Gallery Dan Clark Grahame Walsh Ian Wilson Bradshaws / Gwion Gwion Archive Index Introduction Origins of the British Stonehenge Sounds of Stonehenge The British Museum British Isles Megaliths Gower Peninsula Rock Art Mendip Hills Prehistory Northumberland Rock Art Red Lady of Paviland Stone Age Mammoth Abattoir Archive Index Yinchuan Museum Rock Art Festival Field Trip Gallery Itinerant Creeds Inner Mongolia & Ningxia Vanishing Civilization Life in Rock Art (PDF) Tibet Tibet Photographs Dazu Rock Carvings Tiger Motif Archive Index Chauvet Cave Lascaux Cave Niaux Cave Cosquer Cave Portable Art Research Paper Tuc d'Audoubert Bison Dr. Jean Clottes Index UNESCO World Heritage Introduction Cave Paintings Gallery Visiting the Chauvet Cave Return to Chauvet Cave Investigating the Cave Venus & Sorcerer Werner Herzog Film Chauvet Publications India Archive Index Rock Art Central India Pachmarhi Hills India Rock Art Gallery Middle East Archive Index Middle East Inroduction Rock Art of Iran Rock Art of Saudi Arabia United Arab Emirates Rock Art Ancient Geometry Middle East Colonisation Tanum Rock Art Museum Thor Heyerdahl Archive Index Introduction America's Oldest Art? Pedra Furada Bolivian Rock Art Campeche Island - Brazil Checta Petroglyphs - Peru Cueva de las Manos Santa Catarina Island - Brazil Rock Art in Britain Campeche Rock Art Petroglyphs El Salvador - Corinto Cave Hand Rock Art Paintings Tibetan Rock Art United Arab Emirates Uzbekistan Yinchuan Rock Art Museum Introduction Ice Age Art Gallery Claire Artemyz Jill Cook Interview Cycladic Introduction Cycladic Gallery Introduction Geometric Signs Chart Research Methodology Geometric Signs in France Sign Types/Countries/Regions Bibliography Ancient Symbols in Rock Art Newsletter Archive Download Issues Introduction Genetic Map Professor Stephen Oppenheimer Further Reading Origins of the British BBC Documentary Origins Index Origins Overview 13 Big Questions Stanley Ambrose Homo Floresiensis Herto Skulls Homo Dmanisi Liujiang Skull Introduction Sentinels in Stone Easter Island Rock Art Birdman Cult / Motif Sea & Marine Creatures Design & Motifs Dr Georgia Lee Easter Island Map Contemporary Art Glossary Conclusion Thor Heyerdahl Introduction When & Who Built It? How Was It Built? The Area Sounds of Stonehenge Meaning of a Pyramid Pyramid Studies Pyramid Superstructure Pyramid Substructure Pyramid Preparations Pyramid Building Saqqara Nabil Swelim Temples of Malta and Gozo Research in the Caucasus The Keselo Foundation Homo Dmanisi Ancient Toolmakers Index Introduction Descent into the Cave The Decorated Caves Shamanistic Experience Spring Initiation Rites Summary Page 1 Page 2 Page 3 Page 4 Professor John P. Miller Motif: Eternal Index Han Meilin Bruce Radke Christian Tuki Gordon Ellis-Brown Site Map Search the Website Glossary of Terms & Definition Podcast on iTunes Other Websites Contact the Foundation